While the situations in them don’t fully map to the real world, there’s an implicit understanding that there is a shared logic between videogames, especially within the same genre. A constant staple of the console roleplaying game is how characters become stronger. When the player visits a previously unexplored corner of the world map or dungeon, they encounter monsters more powerful than before. In most circumstances, the more powerful the monster, the more experience points offered for defeating it, which allows the playable characters to get stronger faster.

This is mostly done away with in Saga Frontier. There’s a different sort of logic to the encounters, where this time the enemy’s strength is determined by how many battles have been fought. That gives a bit more weight to getting into fights, because it gives the impression that there’s such a thing as too much fighting.

However, it’s still important to get into battle as it’s still the main way of getting characters stronger. There’s no experience points to be rewarded. Certain statistics are upgraded based on the action that’s chosen in battle. Pick physical attacks and strength goes up. Choose to defend and health points go up. Decide on a spell and magic-related stats go up. Crucially they don’t even have to be used in battle, if the battle is won before a character gets to use their ability, they still get the reward. It’s not the experience that strengthened them, it’s simply the idea of taking part. The only thing gained from an action being used is new abilities.

It’s one of the many things that makes Saga Frontier feel unusual. That it’s using a kind of interface I’m familiar with, but the results aren’t quite the same. I would argue that everything in this game ends up giving it a rather dreamlike quality. The intense pre-rendered visual style, terse NPC dialogue, and seemingly random assortment of monsters make everything seem surreal.

But dreams are collections of thoughts and feelings, while sometimes being a seemingly random collage of events, can also be interpreted as a narrative. That’s what I found from the seven scenarios in this game. Each lasts about the length of a night’s sleep.

One scenario that has stuck with me is Red’s, which follows the rules of a Japanese superhero show. The henchmen always have to be defeated before the boss. Sometimes enemies can put themselves in a special arena to make themselves more powerful (usually a way of justifying a recurring set in shows to have less locations to film). The most important part is that Red can’t be seen by others to transform into a masked hero. It would be simple to think that you have to put Red in a party alone in order to use it, but enemies in this scenario seem to cast a “blind” status effect fairly frequently. If the rest of the party is blinded, the game smartly determines that Red should be able to transform, as no one can see him.

I should also mention that the character progression mentioned only works for one of the four types of party members: the humans. Monsters can become other monsters to get stronger, Mystics will take on the essence of defeated foes, and the stats of Robots depend entirely on the equipment. It’s possible to go on entire runs and only encounter one or two party member types. Saga Frontier is full of ideas and places you might not even take a look at.

There are a lot of moments where the game cuts things short. A sudden game over from falling off a ship. A quick defeat from being caught while sneaking. A wrap up that’s all too fast, or even a sudden ending in the middle of a boss fight. These moments make everything feel abrupt. It’s like suddenly waking up.